Mark of the Ninja Review

Klei Entertainment understands stealth. Ninjas and shadows should go hand in hand, yet these lords of silence often play second fiddle to the more renowned samurai, or fight in broad daylight instead of striking from the shade. Take Ninja Gaiden. Heavy on action and light on subtlety, Ryu Hayabusa earns the title of “Most Conspicuous Ninja.” Developers must be asking, “How much enjoyment can be garnered from observing enemy patrol patterns, then navigating around them?” Even fewer games manage to make abstaining from combat meaningful or thrilling. Would it not be more entertaining to hew guards apart with unrivaled swordsmanship? Mark of the Ninja makes no attempts to satisfy the latter party, but Klei demonstrates that executing malevolent soldiers can be just as pulse-pounding and harrowing as going ten rounds with Kratos.

Contrary to the bandana-wearing, in-your-face protagonist of Shank, Mark of the Ninja’s lead character relies on the tricks of the ninja trade to suppress his foes. With a grappling hook, spike traps, poison darts, smoke bombs, and other ninja tools, the hero must hunt down and assassinate the corporate sleaze that ordered the attack on the Hisomu clan. Accompanied by a vigilant female cohort, you’ll navigate skyscrapers, sewers, sandy ruins, and more. At the same time, the inevitable draws ever closer.

You are no ordinary ninja, and your tattooed face is just the tip of the iceberg. The protagonist accepted the Mark, an ancient tribal pattern that identifies him as the Hisomu’s chosen champion. However, the ink used in the intricate design contains toxins from a rare flower that slowly drives its victims insane while granting them supernatural powers such as teleportation. Therefore, before they completely lost their minds to the drug, previous warriors committed seppuku and upheld the clan’s honor. How (or if) you accept this suicide pact forms the shallow, underlying narrative. The two-sided conclusion expects you to determine your own fate, yet the only distinction between the opposing outcomes leads to separate 30-second cutscenes. The remainder of the game you act without choice, though I found the daydreamy effects of the toxin to be quite enthralling.


Dogs clearly do not care for the Spider-Man impersonations. 


Mark of the Ninja contains the strong visual presence of the hack-and-slash Shank releases. The graphic art style makes for some very interesting silhouette work and eventual hallucinations. More importantly, Mark of the Ninja refuses HUD elements to indicate how well players have hidden. Every on-screen prompt reveals different information. The ninja adopts the shadows when in darkness, his wardrobe becoming black and his blood red tattoos glowing menacingly once out of sight from wary eyes. Meanwhile, flashlights’ illuminating funnels denote enemy fields of view. When standing in the light, the omnipotent rays showcase a uniform’s true colors, the hero’s included.

Sound plays perhaps a greater role than sight. Footsteps reverberate off solid floors in faint white ripples, giving away adversaries’ locations despite your obstructed vision. More audible occurrences, like crows cawing, chandeliers falling, and carnivorous beetles devouring mercenary flesh, produce bright blue sound waves heard by all nearby reinforcements, too. While noise can be your worst enemy, betraying your position even when hidden, this sense can be your most valuable asset if exploited for diversionary purposes.

All this visual information helps to aid the primary character's survival. As a ninja, most close-quarter skills remain useless in head-on confrontations, mainly because the hero refuses to draw his blade unless the target’s back is turned. Mark of the Ninja encourages stealth above all else, rewarding you with one-hit kills if you input the correct quick time event before the enemy breathes his final breath. And like any good ninja, players must learn to blend with their surroundings. Floor grates make an excellent hiding spot, even for corpses once you pounce from under soldiers' feet. Lamp posts and tree branches remains efficient perch points when scouting patrolling sentries or dangling their bodies like morbid scarecrows. Assassinating oblivious guards from railings also prevents potential suspicions when tossing the deadweight several levels below. But first you must learn these silent arts, all of which unlock through the in-game store.


Remember Batman's rule about never killing his opponents? Yeah, forget that rule. 


Each assassination attempted, detection avoided, distraction triggered, and body hidden rewards players with points on the leaderboards. These points also tie into honor, the game’s currency. Gaining a predetermined amount of credits may be the easiest way to cash in your pride as a ninja, but it’s not always the most fun. That glory belongs to the optional objectives. Side missions divvy between different seal types, but they also unlock additional costumes. One mission might task players with eliminating a courier’s guard without detection. Another might entail shutting off the building’s power supply without tripping any alarms. A personal favorite challenged me to use the teleport ability to land on a perch, then assassinate a target immediately after.

The bonus costumes make achieving certain goals easier. The Path of the Hunter garb guarantees that executions do not fail, equipping the hero with two attack items that kill guards once activated. The Path of Silence outfit directly conflicts with the Hunter, instead bestowing the protagonist with two distraction items that lure opponents from your destination, but no sword. The best part? Mark of the Ninja exercises creative freedom to every encounter. Players could test their blade’s edge on that soldier catching some sleep during his shift, or you could throw a firecracker, hide in the nearest alcove, and wait until he passes by to slit his throat from the shadows.

Every enemy, except for key personnel, can be avoided and left to live another day. This freedom owes itself to the spacious level design. Although players dodge and dart from the left side of the screen to the right, the verticality and interior building layouts lead to very different engagements. You can duck into a ventilation shaft, elude laser beams, climb an elevator shaft, and reappear three stories up; or you may scale sheer skyscrapers, swing from lamp post to lamp post, and crawl along ceilings like Spider-Man without mercy. Moreover, the protagonist maneuvers about his settings with a sense of urgency, even running up the side of buildings with unprecedented grace and agility.


This screenshot contains a wealth of information: the soldier's line of sight, his caution level, the halo depicting the source of distraction, the noise radius of the gong. These complex systems overlap without confusing the player.  


Now admittedly, Mark of the Ninja runs into control issues once environment interactions overlap. Hiding corpses and crouching behind statues interfere with one another when mapped to the same button. The game's trying to differentiate between dropping from the wall I currently held onto and switching my position to the ceiling led to a few raised alarms as well. Fortunately, the frequent save system allows completionists plenty of opportunities to perfect that alert-free run while each failure becomes a cozy encounter with the Restart Checkpoint feature.

For every Deus Ex and Ghost Recon that forces stealth-action down our throats, Mark of the Ninja lays a trap to counter. The only series this flexible with its approach to situations is Metal Gear Solid, which Klei pays homage to with a cardboard box as one of selectable ninja tools. As much a puzzler as an adventure title, Mark of the Ninja’s striking visual effects, ample unlockables, insistence on player freedom, and no handholding almost dispatched this year’s bitter Summer of Arcade event (looking at you, Deadlight) from my memory. 

Publisher: Microsoft Studios
Developer: Klei Entertainment
Release Date: September 7, 2012
Number of Players: 1 (Campaign)
Platforms: XBLA (Reviewed) 

John Tarr's picture

Great review Josh. I hope I can find time to play through this game. Could you explain the mission structure a bit? You made Mark of the Ninja sound almost open world with the ability to "climb an elevator shaft, and reappear three stories up, or you may scale sheer skyscrapers, swing from lamp post to lamp post".

It's too bad Mark of the Ninja didn't get the Summer of Arcade promotion, it seems like it might have been the best of the bunch.

Josh Kowbel's picture

Most of your objectives involve assassinating an officer or the CEO of the modern corporation that attacked your ninja clan. You scroll from one side of the screen to the other, picking your own route through the 2D landscapes while sneaking past or executing guards. The mission structure could be described simply as making your way from point A to point B, yet you have unprecedented freedom in how you tackle each situation. The review would have been twice as long if I were to list all the possible assassinations or mechanics at play, but everything will make sense within five minutes of starting the game. 

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